Parks and Recreation (season 1)The first season of Parks and Recreation originally aired in the United States on the NBC television network between April 9 and May 1. Produced by Deedle- Dee Productions and Universal Media Studios, the series was created by Greg Daniels and Michael Schur, who served as executive producers with Howard Klein. The comedy series focuses on Leslie Knope (Amy Poehler), the deputy director of the parks and recreation department of the fictional town of Pawnee, Indiana. The season consisted of six 2. Daniels and Schur conceived the show when NBC officials asked Daniels to produce a spin- off of his comedy series The Office, on which Schur was a writer. During development, the creators decided the new show would be a stand- alone series, though it would share the mockumentary style of The Office.

Like that show, Parks and Recreation encouraged improvisation among its cast members. Early test screenings were poor, and many critics and industry observers were skeptical about the show's chances of success. The first season received generally mixed reviews, and several commentators found it too similar to The Office.

The Wire is an American crime drama television series set and produced in Baltimore, Maryland. Created and primarily written by author and former police reporter.

The premiere episode was watched by 6. Nielsen ratings. A season low of 4. Despite the low rating, . She has a strong love for her home town of Pawnee, and desires to use her position to improve it. Rashida Jones as Ann Perkins, a nurse who begins a friendship with Leslie after she and her collaborate to turn an empty pit next to Ann's house into a park. She slowly becomes more involved in the Pawnee government due to her friendship with Leslie. Paul Schneider as Mark Brendanawicz, a city planner with the Pawnee municipal government.

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3. The first season of Parks and Recreation originally aired in the United States on the NBC television network between April 9 and May 14, 2009.
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He has long been disillusioned with government after being unable to achieve his career ambitions. Leslie harbors a strong crush on Mark due to a romantic encounter they had several years ago, but Mark does not return her feelings. Mark assists Leslie with her plan to turn the pit next to Ann's house into a park, despite believing that the plan has no chance of success.

Aziz Ansari as Tom Haverford, Leslie's self- absorbed and underachieving subordinate. While he is an employee at the parks department, he cares little about his job, and is instead more focused on his entrepreneurial ambitions. He takes great pride in his personal appearance and regularly pursues women despite being married.

Nick Offerman as Ron Swanson, the cynical director of the parks department and Leslie's boss. Due to his incredibly negative view of politics, he regularly works to make his department as inefficient as possible. This leads him to butt heads with Leslie on a number of occasions, as her philosophy regarding politics is the polar opposite. Despite that, both he and Leslie have a large amount of respect for one another. Aubrey Plaza as April Ludgate, a young apathetic intern at the parks department. Watch Who`S Driving Doug Download.

She cares little for her internship, and often shows annoyance at having to complete tasks. Due to her rebellious and emotionless attitude, she is often annoyed by her co- workers, especially Leslie. Recurring. Before the start of the series, Andy falls into the pit next to Ann's house and breaks both his legs. This leads Ann to advocate for the pit to be filled in, beginning her friendship with Leslie. Andy is shown to be immature and lazy, making Ann pamper him non- stop due to his broken legs.

Jim O'Heir as Jerry Gergich, an incompetent and widely ridiculed employee at the parks department. Retta as Donna Meagle, the no- nonsense office manager at the parks department. Pamela Reed as Marlene Griggs- Knope, Leslie's mother. Marlene is a successful politician and figure in Pawnee's school system. Due to her success, Leslie constantly strives to impress her mother, despite the fact that Marlene has low expectations regarding her daughter's success. Guest stars. Dana Gould, Morgan Sackett and Amy Poehler produced, and Tucker Cawley and Norm Hiscock served as consulting producers.

Goor was the executive story editor for the season, and Rachel Axler was a story editor. Dean Holland, an editor on The Office, also worked as an editor on Parks and Recreation's first season. The other producers all returned for the second season. Allison Jones, who worked as a casting director for The Office, served in the same capacity for Parks and Recreation, along with Nancy Perkins, for whom the character Ann Perkins was named. Other directors included Seth Gordon, director of the documentary The King of Kong: A Fistful of Quarters; Jeffrey Blitz, who had directed numerous episodes of The Office; Michael Mc.

Cullers, co- writer of the first two Austin Powers films, who directed Poehler in the comedy film Baby Mama; and Beth Mc. Carthy Miller, a longtime television director who worked with Poehler on the sketch comedy show Saturday Night Live. Also among the cast were Aziz Ansari as Tom Haverford, a sarcastic parks department employee, and Rashida Jones as Ann Perkins, a nurse who befriends Leslie and tries to help her turn a giant construction pit into a park.

After her recruitment, the general concept of the series was established and the script for the pilot episode was written. After meeting her, casting director Allison Jones told Schur, . You have to meet her and put her on your show. He was cast as Mark Brendanawicz, a city planner and Leslie's unrequited love interest. She still harbors feelings for Mark from a one- night sexual encounter years ago. Although Pratt appeared in every episode of season 1, he was credited as guest star until the second season, when he was promoted to the main cast. The personalities of the two characters did not become developed until the second season, but Schur said the Parks and Recreation staff liked the actors so decided to include them in the show and .

Seth Gordon, who directed Reed in her first episode, . Wendy would make numerous appearances in season 2, during which it was revealed that the Haverfords have a green card marriage. But we had plenty of ideas about what we wanted to do, and part of what takes time is learning how to write for and collaborate with the actors.“”Greg Danielsseries co- creator. Like Daniels, Schur had previously worked on the NBC sketch comedy show Saturday Night Live. However, it was ultimately incorporated into the backstory for Ben Wyatt, the character played by Adam Scott who was added late in the second season. Nevertheless, their concept for it shared several elements with The Office, particularly the mockumentary approach, which allows the actors to look at and directly address the camera. The new show would also include documentary- style interviews, in which the characters speak one- on- one with the camera crew about the day's events.

Again as with The Office, the new series would be scripted but improvisation would be encouraged among the actors. In a commercial that aired during NBC's Super Bowl coverage in February, it was announced that the series would be called Parks and Recreation. This confirmed his existing impression: . That nobody cares. Schur asked urban planners in Claremont, California, whether efforts to turn a construction pit into a park could realistically take several months or longer. They told him that was entirely plausible, and that they had recently broken ground on a park that had been in various planning stages for 1. The writers originally envisioned the pit becoming a park only in the series finale, although those plans were later changed and the pit was filled in during the second season.

One such group, the Committee for a Better Park, was actually opposed to parks in general, and the deceptiveness of their name and mission inspired the producers' writing for those characters. For example, in the premiere episode, Mark asks Ron to greenlight the park because he is inspired by Leslie's optimism and wants to help her.

In the original script, Mark intervened because he was attracted to Ann and wanted an excuse to keep seeing her.

The Wire - Wikipedia. Watch Out Of Time 4Shared. The Wire is an American crime dramatelevision seriesset and produced in Baltimore, Maryland. Created and primarily written by author and former police reporter David Simon, the series was broadcast by the cable network HBO in the United States. The Wire premiered on June 2, 2.

March 9, 2. 00. 8, comprising 6. Each season of The Wire introduces a different institution in the city of Baltimore and its relationship to law enforcement, while retaining characters and advancing storylines from previous seasons. In chronological order these are: the illegal drug trade, the seaport system, the city government and bureaucracy, the school system, and the print news media. The large cast consists mainly of actors who are little known for their other roles, as well as numerous real- life Baltimore and Maryland figures in guest and recurring roles. Simon has said that despite its framing as a crime drama, the show is .

It's about how institutions have an effect on individuals. Whether one is a cop, a longshoreman, a drug dealer, a politician, a judge or a lawyer, all are ultimately compromised and must contend with whatever institution to which they are committed. Although the show received average ratings throughout its run, and never won any major television awards, it has since come to be regarded by many critics as one of the greatest television series of all time. Burns, when working on protracted investigations of violent drug dealers using surveillance technology, had often been frustrated by the bureaucracy of the Baltimore Police Department; Simon saw similarities with his own ordeals as a police reporter for The Baltimore Sun. Simon chose to set the show in Baltimore because of his familiarity with the city. During his time as a writer and producer for the NBC program Homicide: Life on the Street, based on his book Homicide: A Year on the Killing Streets (1. Baltimore, Simon had come into conflict with NBC network executives who were displeased by the show's pessimism.

Simon wanted to avoid a repeat of these conflicts and chose to take The Wire to HBO, because of their working relationship from the miniseries. The Corner (2. 00. HBO was initially doubtful about including a police drama in its lineup but eventually agreed to produce the pilot episode. He hoped the show would change the opinions of some viewers but said that it was unlikely to affect the issues it portrays. Lance Reddick received the role of Cedric Daniels after auditioning for several other parts. Williams got the part of Omar Little after only a single audition.

Ehrlich Jr.; Rev. Reid III; former police chief, convicted felon, and radio personality Ed Norris; Virginia Delegate Rob Bell; Baltimore Sun reporter and editor David Ettlin; Howard County Executive Ken Ulman; and former mayor Kurt Schmoke have appeared in minor roles despite not being professional actors. Jay Landsman, a longtime police officer who inspired the character of the same name. Williams, Seth Gilliam, Lance Reddick, and Reg E. Cathey were featured in very prominent roles in Oz, while a number of other notable stars of The Wire, including Wood Harris, Frankie Faison, John Doman, Clarke Peters, Domenick Lombardozzi, Michael Hyatt, Michael Potts, and Method Man appeared in at least one episode of Oz.

Cathey, Lance Reddick, Corey Parker Robinson, Robert F. Chew, Delaney Williams, and Benay Berger. Alongside Simon, the show's creator, head writer, showrunner, and executive producer, much of the creative team behind The Wire were alumni of Homicide and Primetime Emmy Award- winning miniseries The Corner. The Corner veteran, Robert F. Colesberry, was executive producer for the first two seasons and directed the season 2 finale before dying from complications from heart surgery in 2. He is credited by the rest of the creative team as having a large creative role for a producer, and Simon credits him for achieving the show's realistic visual feel.

Thorson joined him on the production staff. Burns also became a producer on The Wire in the show's fourth season. Alvarez is a colleague of Simon's from The Baltimore Sun and a Baltimore native with working experience in the port area. Zorzi joined the writing staff in the third season and brought a wealth of experience to the show's examination of Baltimore politics. Overmyer was brought into the full- time production staff to replace Pelecanos who scaled back his involvement to concentrate on his next book and worked on the fourth season solely as a writer.

The directing has been praised for its uncomplicated and subtle style. Each episode begins with a cold open that seldom contains a dramatic juncture. The screen then fades or cuts to black while the intro music fades in. The show's opening title sequence then plays; a series of shots, mainly close- ups, concerning the show's subject matter that changes from season to season, separated by fast cutting (a technique rarely used in the show itself). The opening credits are superimposed on the sequence, and consist only of actors' names without identifying which actors play which roles. In addition, actors' faces are rarely seen in the title sequence.

At the end of the sequence, a quotation is shown on- screen that is spoken by a character during the episode. The three exceptions were the first season finale which uses the phrase . Mencken that is shown on a wall at The Baltimore Sun in one scene, neither quote being spoken by a character. Progressive story arcs often unfold in different locations at the same time. Episodes rarely end with a cliffhanger, and close with a fade or cut to black with the closing music fading in.

Rather than overlaying songs on the soundtrack, or employing a score, The Wire primarily uses pieces of music that emanate from a source within the scene, such as a jukebox or car radio. This kind of music is known as diegetic or source cue. This practice is rarely breached, notably for the end- of- season montages and occasionally with a brief overlap of the closing theme and the final shot. Each season uses a different recording and a different opening sequence, with the theme being performed by The Blind Boys of Alabama, Waits, The Neville Brothers, Do. Ma. Je and Steve Earle.

The season four version of . The first season montage is played over . John and performed by Paul Weller and the fifth uses an extended version of . While the songs reflect the mood of the sequence, their lyrics are usually only loosely tied to the visual shots. In the commentary track to episode 3.

It brutalizes the visual in a way to have the lyrics dead on point. Yet at the same time it can't be totally off point. It has to glance at what you're trying to say. The band's song . In the episode . Simon, originally a journalist for The Baltimore Sun, spent a year researching a Homicide Police Department for his book, Homicide: A Year on the Killing Streets, where he met Burns. Burns served in the Baltimore Police Department for 2.

The two of them spent a year researching the drug culture and poverty in Baltimore for their book, The Corner: A Year in the Life of an Inner- City Neighborhood. Their combined experiences were used in many of the storylines of The Wire.

Central to the show's aim for realism was the creation of truthful characters. Simon has stated that most of them are composites of real- life Baltimore figures. However, while many of the police do exhibit altruistic qualities, many officers portrayed on the show are incompetent, brutal, self- aggrandizing, or hamstrung by bureaucracy and politics. The criminals are not always motivated by profit or a desire to harm others; many are trapped in their existence and all have human qualities. Even so, The Wire does not minimize or gloss over the horrific effects of their actions. There have even been reports of real- life criminals watching the show to learn how to counter police investigation techniques. The article expressed great sadness at the toll drugs and violence are taking on the black community.